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Category Archives: Literary devices
Classics Don’t Qualify as Comps
Before attending my first writer’s conference in Oklahoma, I poured over the biography of all the speakers. Each one was asked to disclose a classic novel in their want to read list. Despite the different books listed I was shocked … Continue reading
Posted in Drama and movies, Literary devices, Psychology, Teaching writing skills, Trends in books
Tagged agent, books, comparable-comp, dark-fiction, dostoevsky, Fiction, Literature, Publishing, Writing
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The Physiology of Love and Fear
The demand for writing from the character’s point of viewpoint is increasing. Sights, sounds, textures and tastes should reflect the perception of the character. But, what about physiological reactions? These descriptions capture the racing heart and euphoria, or the rise … Continue reading
Pushover Protagonist?
How often have you heard warnings against creating a protagonist who is the opposite of a mover and shaker, one who simply lets things happen to them? Or one who watches the other characters struggle without taking charge? A main … Continue reading
A Stuck Character
The character that I’ve imagined is stuck. Literally. He’s in solitary confinement, or in a dungeon, or abandoned on an island, and I know how he’s going to escape. But, for now he’s stuck. Should I just jump ahead to … Continue reading
The Happiness Requirement
“And they lived happily ever after” is not just a matter of fairy tales. A Happily Ever After (HEA) ending remains a favorite of many readers and has likely been one ever since stories were first told. In this age … Continue reading
Fiction from my Family Tree
One of the reasons that there is “nothing new under the sun” is because human creativity depends on our experience. But, I have only lived one life. Rather than writing an autobiographical series about a rather sedate existence, I would … Continue reading
Reading the lines… or the space between them?
Reading between the lines doesn’t refer to reading blank space. But, sometimes it is almost as difficult. It requires astute attention to pull out what is not explicitly stated in the text. How much should an author expect a reader … Continue reading
My POV Journey
Initially, when I was eight years old, I started writing in the third person point of view and all my characters were animals. Did I mention that Black Beauty was one of my favorite books? A few years later, I … Continue reading
Posted in Literary devices, Literature, Novels, Style and voice
Tagged Black Beauty, Fiction, Frankenstein, Nectar in the Sieve, point of view, POV, Writing, writing-tips
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Journeying away from the Hero’s Journey
Want a plot that’s been used successfully thousands of times? Research Campbell’s monomyth or simply read Christopher Vogler’s book on the hero’s journey. The hero’s journey is an idea manufactured as a result of popular literature from Greco-Roman times. However, … Continue reading
How Can Writing Not Be “Telling?”
I find the “show don’t tell” adage for writers a curious contradiction. Unless you are writing a movie script that will be produced, everything that you record is actually told to the reader. Writing is very abstract, so providing this … Continue reading
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