Author Archives: knlistman

What’s in Style in Words?

Adolescents are known for following fads in fashion. Buying clothes which they wouldn’t dare be seen in the next year. Only, I’m seeing styles that keep coming back. The tendency towards fads has moved on into the world of books. … Continue reading

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Writing the car wreck

Imagine a movie scene from the seventies or eighties– a car veers out of control over the edge of a cliff  and tumbles end-over-end finally exploding  at the bottom of the ravine. We’ll never know who that unfortunate driver was. … Continue reading

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Mastering the ambiguous character

Recently I started reading two different stories with a peculiar similarity. In one the romantic male lead had olive skin, and dark hair and eyes. The other had tanned skin and raven black hair–both variations of tall, dark and handsome. … Continue reading

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Kick starting a story

Many writers believe that most readers will only read a novel that grabs their attention from the first page. A dramatic episode must unfold in the first paragraph. I witnessed a workshop in which writers were coached to do just … Continue reading

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Present tense prose

Since the popularity of The Hunger Game series and the awards won by All the Light We Cannot See, a trend is fiction is the use of present tense. This style is touted as making the character’s actions more intimate … Continue reading

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Stories for the new stars

Walking beneath the of faces of stars glowing from two story tall billboards, I glanced down at the stars embedded into the side walk—at least when they were not covered by the feet of the crowds on Sunset Strip. Above … Continue reading

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The strong female character

Recently, I read three short stories dealing with female characters of different strengths. None of them exactly fit the common meme of the female warrior—who can take on man larger than her and physically defeat him while remaining stoically detached … Continue reading

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How do you end an never-ending story?

Stories do not always require a flesh and blood antagonist, or even a spectral one. They do not have to end with the discovery of who perpetrated the crime or the demise of the villain. A plot can trace the … Continue reading

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What is the bad guy really thinking?

Do you recall the campy original Batman series in which the villain de jour always explained his detailed plan for the crime as Batman was slowly moving towards a not so sure death? Is there a problem with adding the villain’s … Continue reading

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Nowhere near practically perfect

Early in my career at beginning of the 1980s, my boss gathered everyone in the office to watch a film on generational differences. When the polished speaker concluded the presentation, I noticed an interesting omission. Turning to one of my … Continue reading

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