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Category Archives: Literary devices
Breaking the speed limit
A thrilling fast-paced first chapter that pulls the reader into the story does not have the power to create tension for the entire story. A dramatic, edge-of-the-seat beginning might even decrease the tension. After the first thrill is over, the … Continue reading
Posted in Literary devices, Story structure, Style and voice, Trends in books, Writer's resource, Writing trends
Tagged fast-paced, Fiction
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Writing Imagery
What is the difference between describing details and creating imagery? Perhaps I should ask what is the difference in describing details that are exquisite and those full of boring minutia. The concept is difficult to explain because it does depend … Continue reading
Nothing New under the Sun
There have been authors for many millennia and the tools that they use have changed—from painting on stones, to drawing on animal skin, to writing with ink on paper, to using block prints and printing presses and we have electronic … Continue reading
What limits should side characters have?
Most people are at least vaguely familiar with Anna Karenina if they know anything about Russian literature. Perhaps they have seen one of the movies made from this famous novel. I even discussed this book with a student who had … Continue reading
Obnoxious characters
Creating villains is much like creating protagonists. They are people with depth and a history. A villain follows discernible motives just like the hero does. Only at some point in their life, villains take an ethical shortcut to get ahead. … Continue reading
Posted in Characters, Group psychology, Literary devices, Literature, Mental health, Trends in books
Tagged heros, Jane Eyre, villians
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Does being well-read help you write?
Despite the flood of self-published books, there are still agents searching the field of writers attempting to discover the next best-selling author. I read a long list of short blurbs written by these agents describing what they required of those … Continue reading
Posted in Education trends, Literary devices, Story structure, Trends in books
Tagged the idiot, well-read
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In praise of the passive hero
Don’t create a main character who just is passive, watching the other characters without taking charge or getting things done. Also, don’t read books by two of the most famous American authors Herman Melville and F. Scott Fitzgerald because they … Continue reading
Posted in Characters, Literary devices, Writer's resource
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The key to polite introductions
The first chapter described a woman, now alone, returning to a memory-loaded place. As I read I could easily absorb the environment and still have the mental capacity to consider her conflicted feelings. Would her journey bring healing or more … Continue reading
Posted in Literary devices, Writer's resource
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After the fall
The term post-apocalyptic brims with images of ruins, remnants of civilization crumbling around the world. Meanwhile humans a reduced to living like prehistoric hunter gatherers. Honestly, if a novel pictured how life improved for humans after the collapse of civilization, … Continue reading
The three little worlds
The places of the imagination must have some semblance to earth, or we are confused by the nonsense as we try to take in an alternate world. Usually there is one difference—one factor that is altered to set the ball … Continue reading
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